Think!

Think! may refer to:

See also

Think (About It)

"Think (About It)" is a funk song recorded by Lyn Collins and released as a single on James Brown's People Records in 1972. The recording was produced by Brown (who also wrote the song) and features instrumental backing from his band The J.B.'s. It was the title track of Collins' 1972 debut album.

Sampling

Along with "Funky Drummer" and "Funky President," "Think (About It)" is one of the most frequently sampled James Brown productions, having been used on tracks by dozens of hip hop and dance music artists. The song appeared on the 16th volume of the Ultimate Breaks and Beats compilation series in 1986, shortly before the release of the E-mu SP-1200 sampler in 1987. This resulted in "Think" being sampled heavily in the ensuing years. Both the song's main rhythmic groove and a vocal passage known as the Yeah! Woo! break have been used as samples.

Perhaps the first song to sample "Think" was "Go On Girl" by Roxanne Shante in 1987 (produced by Marley Marl) followed by "My Groove Gets Better" from her album "Bad Sister." A few months later, the same 4-bar loop of "Yeah! Woo!" appeared as the basis for Rob Base and DJ E-Z Rock's "It Takes Two."

Think (Aretha Franklin song)

"Think" is a song performed by American singer Aretha Franklin. It was released as single in 1968, from her Aretha Now album. The song, a feminist anthem, reached No. 7 on Billboard Hot 100, becoming Franklin's seventh top 10 hit in the United States. The song also reached No. 1 on the magazine's Hot Rhythm & Blues Singles, becoming her sixth single to top the chart. The song was written by Franklin and Ted White. Franklin re-recorded the song in 1989 for the album "Through the Storm". Pitchfork Media placed it at number 15 on its list of "The 200 Greatest Songs of the 1960s".

Instrumentation

The song is performed by a lead vocalist, backing vocalists, a brass section, organ, piano, two electric guitars, bass, and percussion. The personnel on the original recording included Aretha Franklin on piano, Wayne Johnson on trumpet, Andrew Lowe and Charlie Chalmers on tenor sax, Floyd Newman or Willie Bridges on baritone sax, Spooner Oldham on organ, Jerry Jemmott on bass, Tommy Cogbill and Jimmy Johnson on guitars and Roger Hawkins on drums.

Reading (legislature)

A reading of a bill is a debate on the bill held before the general body of a legislature, as opposed to before a committee or other group. In the Westminster system, there are usually several readings of a bill among the stages it passes through before becoming law as an Act of Parliament. Some of these readings are usually formalities rather than substantive debates.

First reading

A first reading is when a bill is introduced to a legislature. Typically, in the United States, the title of the bill is read and immediately assigned to a committee. The bill is then considered by committee between the first and second readings. In the United States Senate and most British-influenced legislatures, the committee consideration occurs between second and third readings.

In Ireland, the first reading is referred to as "First Stage" and is leave to introduce a bill into a House of the Oireachtas. It may be taken in either house, but it does not need to be taken in both.

In New Zealand, once a bill passes first reading it is normally referred to a Select Committee. However, a Government can have a bill skip the select committee stage by a simple majority vote in Parliament.

Pass (military)

A pass is permission to be away from one's military unit for a limited period of time. Time away on a pass is not counted against leave, the annual allotment of days off from duty.

Types of passes

By country variations

In the RAF, a "Permanent Pass" known as Form 557 would be issued to servicemen of good standing and six-months service allowing them to leave the quarters after duty until midnight and no further than eight miles (or as otherwise restricted on the form). It could be endorsed with permission to wear plain clothes.

Forward pass

In several forms of football a forward pass is a throwing of the ball in the direction that the offensive team is trying to move, towards the defensive team's goal line. The forward pass is one of the main distinguishers between gridiron football (American football and Canadian football) in which the play is legal and widespread, and rugby football (union and league) from which the North American games evolved, in which the play is illegal.

In some football codes, such as association football (soccer), the kicked forward pass is used so ubiquitously that it is not thought of as a distinct kind of play at all. In these sports, the concept of offside is used to regulate who can be in front of the play or be nearest to the goal. However, this has not always been the case. Some earlier incarnations of football allowed unlimited forward passing, while others had strict offside rules similar to rugby.

The development of the forward pass in American football shows how the game has evolved from its rugby roots into the distinctive game it is today. Illegal and experimental forward passes had been attempted as early as 1876, but the first legal forward pass in American football took place in 1906, after a change in rules. Another change in rules occurred on January 18, 1951, which established that no center, tackle, or guard could receive a forward pass. Today, the only linemen who can receive a forward pass are the ends. Current rules regulate who may throw and who may receive a forward pass, and under what circumstances, as well as how the defensive team may try to prevent a pass from being completed. The primary pass thrower is the quarterback, and statistical analysis is used to determine a quarterback's success rate at passing in various situations, as well as a team's overall success at the "passing game."